#La boheme opera detroit full#

Praised by Palm Beach Arts Paper for his “powerful, clarion voice,” McGee has performed several roles with the Miami Music Festival: Colline in Puccini’s La bohème, Simone in Puccini’s Gianni Schicchi, Reverend John Hale in Ward’s The Crucible, Harasta in Janacek’s The Cunning Little Vixen, Lindorf, Coppelius, and Crespel in Offenbach’s Les Contes d’Hoffmann, among others. Previous engagements include the roles of Elder Ott in Floyd’s Susannah and Sylvano in Cavalli’s La Calisto both with Rice Opera Theatre, Figaro in Oberlin Opera Theatre’s production of Mozart’s Le nozze di Figaro, Leporello in Mozart’s Don Giovanni with the Arezzo Opera Festival, and Pandolfe in Massenet’s Cendrillon with Oberlin Opera Theatre. Cory was also seen as a soloist in Bernstein at 100 - A Celebration, at Wolf Trap's Filene Center. In 2018, he was seen with Wolf Trap Opera as a Studio Artist, performing the role of La Voce in Mozart's Idomeneo, and Ranger Nat in Wolf Trap's commissioned children's opera, Hanlon's Listen, Wilhelmina!. Boheme marks the company’s first live performances in the Detroit Opera House since before COVID struck, and Sharon said it’s more important than ever to find ways to make opera relevant. McGee joined Santa Fe Opera as an Apprentice Artist for the 2019 season, portraying the role of the Gardener in Ruder’s The Thirteenth Child. Concerts include Handel’s Messiah with West University Baptist Church, Houston TX, and a recital with Unity Church of Houston for their Black History Month Celebration in February 2020. McGee was a finalist in both the Pasadena Vocal Competition and the Houston Grand Opera’s 32nd annual Eleanor McCollum Competition. Other operatic roles include the Sodbuster in Mazzoli’s Proving Up, and Publio in Mozart’s La clemenza di Tito, both with Rice Opera Theatre. La bohème plays at the Detroit Opera House April 2, 6 and 10. He was also seen in Lawrence Brownlee’s Giving Voice concert and The Snowy Day documentary, both with Houston Grand Opera. The Detroit Opera’s artistic director takes Puccini’s classic and presents it in reverse. The four friends end up at a table in the middle of the Cafè and Mimi is introduced to the others.

#La boheme opera detroit full#

McGee has performed in The Houston Grand Opera’s Studio Showcase and Rienzi Recital Series, producing a full recording of Schubert’s Schwanengesang. Rodolfo and Mimi navigate through the crowds, laughing and having a good time. Further engagements included Billy in the world premiere of Thompson’s The Snowy Day, and Virgil in the world premiere of Cohen’s Turn and Burn (postponed due to COVID-19), both with Houston Grand Opera.Īs part of the HGO Studio, Mr. He was also seen as Theseus in Britten’s A Midsummer Night’s Dream with the Santa Fe Opera. Last season, Cory made his debuts as Colline ( La bohème, Detroit Opera) and Basilio ( Il barbiere di Siviglia, Opera on the James). This season, he will portray the roles of Johann in Massenet’s Werther, Fifth Jew in Strauss’ Salome, and Jailer in Puccini’s Tosca all with Houston Grand Opera. So that Detroit name will make it very clear about from where these works are emanating.Hailing from Stafford, Virginia, bass Cory McGee opens his 2022-2023 season performing the role of Caspar in Weber’s Der Freischütz with Wolf Trap Opera and Dottore Grenvil in Verdi’s La traviata with Houston Grand Opera. ‘La Bohème’ will be exported to other communities ‘X’ will go to four other opera companies throughout the country. These two specific productions coming out will be exported to other communities. This season the company will present new productions of “X: The Life and Times of Malcolm X” and “La Boheme” and CEO Brown noted, “The name Detroit aligns with these productions. And I think the name change happening now feels like a real commitment to what that future can be.” He added, “This is the moment to say, ‘What matters to us? And what kind of art do we want to offer the community?’ I think the answer is to continue to offer art that really is of Detroit, and feels like it’s rooted in what this community is about. It’s a great moment to really double down on our commitment to this community.” Coming to the organization during the pandemic, it was very clear to me that Detroit is our anchor. After the 50th anniversary of the organization, it’s a good moment to take stock of who we are, where we’ve been and where we would like to go. In a statement Sharon said, “I think the timing really does feel right. Brown and Artistic Director Yuval Sharon the name change is the next step in a rebranding process. The company will now be called the Detroit Opera and will take up the new name when its returns to the Detroit Opera House on April 2.Īccording to CEO Wayne S. The Michigan Opera Theatre is changing its name after more than 50 years.